Supplier Spotlight: Andrew Miller Photography
Time to grab a cuppa, get comfy, and settle in for our latest Supplier Spotlight — our go-to space where we interview the nation's favourite wedding suppliers to bring you all the best styling tips, hacks and insider advice for your big day.
In the hot seat today is Andrew Miller — world's most handsome Jaffa Cake-eating, Bon Jovi-loving, weak-tea-drinking wedding photographer.
Katie, Editor
So, who is behind Andrew Miller Photography?
Andrew Miller — world's most handsome Jaffa Cake-eating, Bon Jovi-loving, weak-tea-drinking wedding photographer.
Q: Katie: To kick things off, give us the quick headlines so our readers know exactly who you are and the magic you create!
A: I'm the world's most handsome Jaffa Cake eating, Bon Jovi loving, weak tea drinking (decaf Yorkshire please), braid wearing wedding photographer in the world.
Q: Katie: Where are you based, how far do you travel, and what are your favourite kinds of spaces to work with?
A: I live in South Wales but travel the UK in my self-built campervan. I don't really have favourite venues — I love all of them for different reasons. The ones I love working at are the ones that celebrate the openness and inclusivity of weddings and aren't overly strict about allowing the couple to do what they want, how they want it. Many venues operate with a 'We always do it this way' attitude — think venues doing 300 weddings a year — and that's restrictive and boundary-driven. That's not my vibe.
Behind the Designs
Q: Katie: How did you find your way into the wedding world, and what was the moment you realised this was your calling?
A: Oh… TL;DR! Twelve years in military intelligence (oxymoron, I know!) finishing in HumInt — basically spying. I did my photography degree whilst in the military. Left 26 years ago, shot weddings for beer and worked as a Business Psychologist until the financial crash in 2007/2008. Then I started charging full prices for full days of wedding photography and I've never had a year where I haven't been fully booked.
Q: Katie: What is the core philosophy, style, and value system that defines your work today?
A: I'm not into A-type couples or pixel-perfect Instagram weddings — never have been. I'm neurodivergent and love working in that space and with similar people. I'm part wedding photographer, part event manager and part stand-up comedian — although somehow I still find time to take ridiculously good photos. I'll turn up with cameras, sarcasm, questionable jokes and probably weak decaf Yorkshire Tea, then deliver your wedding gallery before your honeymoon tan fades — usually within a week. Couples who 'hate having their photo taken' suddenly end up looking like they've been secretly modelling for Vogue for years.
Q: Katie: Describe your 'dream couple' — the people that make you instantly say, 'Yes, I absolutely need to work with them!'
A: If I meet a couple with zero sense of sarcastic humour, it's an immediate no. My perfect couple will have an understanding of LOTR, The Hobbit and the Silmarillion. Terry Pratchett lovers, D&D freaks and people who won't be fazed when I say 'always make sure you have a towel with you.' They'll be Whovians, Trekkies and May the 4th Lovers. I'm a neurodivergent geeky nerd and love couples who want to be different and do things the way THEY want.
“I’ll turn up with cameras, sarcasm, questionable jokes and probably weak decaf Yorkshire Tea, then deliver your wedding gallery before your honeymoon tan fades — usually within a week. Couples who ‘hate having their photo taken’ suddenly end up looking like they’ve been secretly modelling for Vogue for years.”
Trends & Expert Secrets
Q: Katie: What is the most unique or wonderfully memorable wedding you've ever been a part of?
A: Twenty years doing this, 1,000 weddings — that's a tough one. Weddings are exactly the same: two people in love get married. Yet every wedding is totally different because, well, people! I enjoy weddings where I can let my personality loose, where I can join in — dress up as The Witcher, for instance — and people appreciate me for being me. Over those 20 years I've had so many experiences like this it's impossible to pick just one.
Q: Katie: What exciting new patterns and directions are you noticing right now?
A: I'm noticing more weddings are non-traditional. Many more celebrant-led weddings (YES!), with couples bringing their subcultures into their day — cosplayers, LARPers and so on are not afraid to be out there and enjoy the wedding they want, with the friendship groups they have.
Q: Katie: What would you love to see more UK couples embrace?
A: The UK Parliament gets off its backside and finally updates the Marriage Act to allow celebrants to conduct the legal service as well as the more traditional celebrant stuff. That will rock the industry's world. Imagine getting married on a mountaintop in North Wales dressed as 7th century Vikings and being able to do it legally! I'd love to finish my almost 20-year career in the wedding industry by legally marrying couples like this.
Q: Katie: What insider advice would you give couples planning their wedding?
A: Don't get into debt — it's not worth it. That average cost of £30k for a wedding is better spent on a house deposit or an ISA. Think small, think intimate, think lifetime memories over long-term debt. Best advice — apply for an interest-free credit card and whatever the limit comes back as, that's your budget!
“Think small, think intimate, think lifetime memories over long-term debt. Best advice — apply for an interest-free credit card and whatever the limit comes back as, that’s your budget!”
The Wedding Journey & Meaning
Q: Katie: When a couple books you, what does that journey look like from start to finish?
A: I insist on meeting — preferably face to face, but online if not. I'm not overly bothered about the wedding itself. I want to know about them: what they do, how many kids they have, what they like and dislike, their sense of humour, and how they make my tea. The tea, by the way, is such a deal-breaker I have a playlist on my YouTube channel devoted to how I like it! One of my tea videos on Instagram has 1.3 million views and almost 1,000 comments. Booking me is more than booking a wedding photographer — it's booking a person who makes the whole wedding day experience fun, enjoyable and less anxious.
Q: Katie: What is one old-school wedding tradition you're secretly glad modern couples are ditching?
A: I've never been an Instagram-type wedding photographer anyway, but I'm also seeing more and more couples have mixed squads — ladies in the Groom's Gang and guys in the Bride Tribe. I love that.
Q: Katie: When you're off-the-clock, where can we find you?
A: If you can get there, you'll find me on a remote mountaintop in a tent. Cadair Idris is my number one go-to, but there are also spots around South Wales and the Peak District I love. I like the solitude and openness of being by myself and getting my head straight again.
“I’m also seeing more and more couples have mixed squads — ladies in the Groom’s Gang and guys in the Bride Tribe. I love that.”
Stalk Their Work…
Andrew's website is basically written to scare away people he won't get on with: Website: www.andrew-miller.co.uk
Supplier Spotlight: Rebecca Anne Designs
Time to grab a cuppa, get comfy, and settle in for our latest Supplier Spotlight — our go-to space where we interview the nation's favourite wedding suppliers to bring you all the best tips, trends and insider advice for your big day.
In the hot seat today is Rebecca, founder of Rebecca Anne Designs - beautiful and bespoke, embroidered wedding veils.
Katie, Editor
Who is behind Rebecca Anne Designs?
Rebecca Stannett, photo by Kamila Nowak
Q: Katie: To kick things off, give us the quick headlines so our readers know exactly who you are and the magic you create!
A: I'm Rebecca, founder and designer of Rebecca Anne Designs. I design and make personalised embroidered wedding veils from my Devon studio, working one-to-one with brides to turn meaningful details into embroidery — handwriting, florals, dates, initials, symbols, places or words that hold personal meaning. Every veil is designed with intention, expertly embroidered in-house, and made to feel like more than an accessory. It becomes part of the bride's story. I also create embroidered wedding signage, including fabric welcome signs and other made-to-order pieces, for couples who want the same thoughtful, textile-led detail carried into the wider wedding setting.
Q: Katie: Where are you based, how far do you travel, and what are your favourite kinds of spaces to work with?
A: I'm based in Devon, but I work with brides across the UK and internationally through online consultations, so distance is rarely a barrier. As I'm not an on-the-day wedding supplier, my work is created in the studio and sent to the bride ahead of the wedding. In terms of spaces I love to see my veils in, I'm always drawn to elegant country houses, atmospheric castles, beautiful coastal settings and stylish city venues — spaces that feel considered and full of character, where the veil can move, catch the light and become part of the visual story of the day.
Behind the Designs
Photography credits: Kamila Nowak, Danielle Veitch
Q: Katie: How did you find your way into the wedding world, and what was the moment you realised this was your calling?
A: My background is in fashion design, and I've always loved the detail, emotion and storytelling that can live within clothing. I found my way into bridal through a love of veils and the moment they create. There is something incredibly powerful about seeing a bride put on a veil — it can completely change how she feels, and often becomes the moment when everything suddenly feels real. I realised I wanted to focus on veils because they hold such emotion, but also such creative possibility. Over time, embroidery became the perfect way for me to bring those stories into the fabric itself. Now, I see my work as translating a couple's love story into stitch.
Q: Katie: What is the core philosophy, style, and value system that defines your work today?
A: At the heart of Rebecca Anne Designs is the belief that wedding details should feel personal, intentional and beautifully made. My work is for brides who care about detail, sentiment and style in equal measure. The style of my work is modern romantic, story-led and refined — soft tulle, illustrative embroidery, delicate line work, thoughtful placement and designs full of movement. My values are care, originality and calm guidance. I believe the design process should feel supportive rather than overwhelming. A bride doesn't need to arrive knowing exactly what she wants. My role is to listen, guide and translate her ideas into something wearable.
Q: Katie: Describe your 'dream couple' — the people that make you instantly say, 'Yes, I absolutely need to work with them!'
A: My dream couples are thoughtful, sentimental and open to the design process. They care about how their wedding looks, of course, but they care even more about how it feels. My bride might want to include a flower connected to a family garden, a line of handwriting from someone they love, a hidden date, a symbol from their travels, or embroidery inspired by the setting of their wedding. They trust the process and understand that the most meaningful details are not always the most obvious ones.
Trends & Expert Secrets
Q: Katie: What is the most unique or wonderfully memorable wedding setup you've ever been a part of?
A: A veil that always stays with me is Caitlin's. Her veil incorporated artwork and handwriting by her late mum, which made the whole piece incredibly personal. It wasn't just decoration — it was a way of carrying someone she loved into the day through the embroidery itself. Those are the pieces that really remind me why I do this. A veil can be beautiful, but when it holds that kind of meaning, it becomes something far beyond an accessory.
Q: Katie: What exciting new patterns and directions are you noticing right now in your corner of the industry?
A: I'm seeing a beautiful shift towards meaningful personalisation, but in a much more refined way. Rather than adding every possible detail, brides are choosing one or two elements that hold real emotional weight. Handwriting embroidery continues to be incredibly popular, especially when it includes words from a loved one. Florals are becoming more illustrative and design-led — soft, organic and modern rather than overly traditional. I'm also seeing more interest in two-tier veils, mantilla-inspired shapes and the combination of lace with embroidery, and more couples thinking about textile details beyond what they wear.
Q: Katie: What would you love to see more UK couples embrace?
A: I would love to see more couples embrace deeply personal details without feeling that everything has to be obvious to every guest. Some of the most beautiful wedding details are the ones that only the couple, or their closest people, fully understand — a hidden motif, a private phrase, a flower with family meaning. I think the next big thing is couples becoming more confident in making choices that feel true to them, rather than creating a wedding for other people's expectations.
“A veil that always stays with me is Caitlin’s. Her veil incorporated artwork and handwriting by her late mum, which made the whole piece incredibly personal. It wasn’t just decoration — it was a way of carrying someone she loved into the day through the embroidery itself. Those are the pieces that really remind me why I do this. ”
Q: Katie: What insider advice would you give couples planning their wedding right now?
A: Think about your veil earlier than you think you need to. A veil is often seen as the final finishing touch, but if you're choosing something bespoke or personalised, it deserves to be considered as part of the full look. Your dress, hairstyle, venue, photography style and personal details can all influence the shape, length, placement and embroidery. You don't need to have all the answers at the beginning — a good designer will guide you. But allowing enough time means you have space to explore ideas calmly and create something that feels truly considered.
The Wedding Journey & Meaning
Q: Katie: When a couple books you, what does that journey look like from start to finish?
A: The journey usually begins with an enquiry or a design call, where we talk through the bride's ideas, dress, wedding setting and any meaningful details she might want to include. From there, I guide her through the options — veil length, shape, tiers, embroidery placement, wording, florals, thread colour and overall feeling. Once the direction is agreed, I create the artwork, digitise the embroidery and test stitch the design. The veil is then cut, embroidered in my Devon studio, hand finished and carefully checked before it leaves. Clear, kind communication is a huge part of the process — I always want brides to know what happens next and how their veil is progressing.
Q: Katie: What is one old-school wedding tradition or rule you're secretly glad modern couples are ditching?
A: I'm glad couples are moving away from the idea that they have to make choices simply because they are traditional. A veil doesn't have to be plain. It doesn't have to match everyone else's idea of bridal. It doesn't have to be chosen at the very end because it feels like an afterthought. Modern couples are realising that the most beautiful details are often the ones with meaning.
Q: Katie: When the wedding magic is done and you're off-the-clock, where can we find you?
A: When I'm not in the studio, you can usually find me on a walk, planning a trip, cooking with my husband Jeremy, or looking for somewhere beautiful to explore. I spend so much of my working life focused on tiny details, so I love anything that gives me space to breathe and reset.
Stalk Their Work
The best place to explore Rebecca's work:
Website: www.rebeccaannedesigns.co.uk
Instagram: @rebeccaannedesigns